It was purely by chance that the type designer Toshi Omagari was able to explore the original Humanistic concept behind the classic typeface Metro by William Addison Dwiggins. Doug Wilson, who directed “Linotype: The Film”, asked him to digitalise the typeface for use in the film. Toshi Omagari set to work on this typographic treasure and extended it to produce Metro Nova. Omagari has generously augmented the font so that it now boasts seven weights and is available in the OpenType format with a wealth of new characters and alternative glyphs. This new family is a strongly characterised typographic all-rounder offered as both a desktop and web font.
You will find more detailed information on Metro Nova with examples of the font in use on Linotype.com.
You can also read the text of an interview with Toshi Omagari in which you can learn about the designer, his views on font design and the background to the creation of Metro Nova.