New styles to supplement Xenois:
Super, Soft and Slab

Erik Faulhaber had already designed Xenois Sans, Serif and Semi; now the complementary versions Super, Soft and Slab are also available. This completes the Xenois super family that can be used in a vast range of contexts and design situations [...]

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Agmena by Jovica Veljović – a diversified book font

Agmena was designed as a book font in 2012 by Jovica Veljović, a Serbian type designer who currently lives in Hamburg. Although no specific typeface was used as a model, its form is reminiscent of an Antiqua font of the [...]

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For all fans of film and typography:
the typefaces used on posters for the latest films

The “Movie Fonts” feature at Linotype.com has been specially designed for all lovers of film and fonts. This has been recently supplemented by a detailed article on the fonts used on posters for the latest cinema hits and with this [...]

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Humanistic typeface meets
technical flair – the Yalta Sans

With the Yalta Sans, the font designer Stefan Claudius has created a cross between a humanistic font and a square sans. The latter introduces a technical character, which, when it encounters a humanistic typeface, produces a very readable result. The [...]

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Lucca font, a new interpretation from Brazil
of the Italian Renaissance Antiqua

The young font designer João Henrique Lopes has clearly drawn on the Antiqua font of the Italian Renaissance for the Lucca font he designed in 2013. The arched shape of the ‘p’, ‘b’ and ‘d’ in particular emphasize that historic [...]

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Metro Nova – a typographic revival

It was purely by chance that the type designer Toshi Omagari was able to explore the original Humanistic concept behind the classic typeface Metro by William Addison Dwiggins. Doug Wilson, who directed “Linotype: The Film”, asked him to digitalise the [...]

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Vivacious, dynamic and robust:
the calligraphic font Excritura

Excritura is the third typeface to be published by Spanish typographic designer Alex Camacho. This handwritten-like italic has its own individual personality and stands out in comparison with more typical calligraphic fonts thanks to the unusual styling. The result is [...]

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The calligraphic Meroe font from Peter Becker:
a quite special individual character

Initially intended for the logo of a product name, Meroe was finally expanded by Peter Becker to create a complete typeface. With its calligraphic character, it lends a very personal feel, especially through the open forms within the lines. This [...]

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Design icon Avant Garde now with pan-European character sets

Pan-European W1G character sets of the ten weights of the regular version of Avant Garde were made available at the beginning of this year. Greek and Cyrillic characters have been supplied for all weights, so that each now consists of [...]

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Greek ligatures and Serbian Cyrillic:
Jovica Veljović’s Agmena

Working with a typeface designed by Jovica Veljović is not without its challenges as the multivarious stylistic alternatives, the context-specific ligatures, swash letters and linguistic idiosyncrasies need to be made conformable to the appropriate OpenType features. You’ll find hints on [...]

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