The Linotype Gneisenauette – also suited to
album covers

The Linotype Gneisenauette was the result of a competition and became a part of Linotype’s Take Type Library. It was designed by Latvian designer Gustavs A. Grinbergs. The handwritten font recalls that of a sign painter and is available in [...]

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More than 20 years in the business –
interview with designer Jürgen Weltin

After studying Graphic Design and working for publishing and industrial design agencies, German designer Jürgen Weltin began designing fonts in the mid-1990s. His first font design was Finnegan. He saw himself as a complete beginner, since he was still in [...]

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A font reminiscent of the everyday –
the fruit-inspired Fruitygreen

The Indonesian designer Andi AW. Masry drew extensively on the everyday for the design of his second typeface, Fruitygreen (his typeface début was Coomeec). Fruitygreen, as the name suggests, derives from the characteristic shapes of fruits; as a whole but [...]

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An animal contribution to the Linotype Zootype
on Creative Review

A blog dedicated entirely to a single font? That is the case with www.zootype.blogspot.com.ar from the Argentinian designer Victor Garcia. In 1997, he drafted the font Linotype Zootype, in which animal heads are set delicately into the letters. This lends [...]

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New styles to supplement Xenois:
Super, Soft and Slab

Erik Faulhaber had already designed Xenois Sans, Serif and Semi; now the complementary versions Super, Soft and Slab are also available. This completes the Xenois super family that can be used in a vast range of contexts and design situations [...]

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Agmena by Jovica Veljović – a diversified book font

Agmena was designed as a book font in 2012 by Jovica Veljović, a Serbian type designer who currently lives in Hamburg. Although no specific typeface was used as a model, its form is reminiscent of an Antiqua font of the [...]

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For all fans of film and typography:
the typefaces used on posters for the latest films

The “Movie Fonts” feature at Linotype.com has been specially designed for all lovers of film and fonts. This has been recently supplemented by a detailed article on the fonts used on posters for the latest cinema hits and with this [...]

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Humanistic typeface meets
technical flair – the Yalta Sans

With the Yalta Sans, the font designer Stefan Claudius has created a cross between a humanistic font and a square sans. The latter introduces a technical character, which, when it encounters a humanistic typeface, produces a very readable result. The [...]

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Lucca font, a new interpretation from Brazil
of the Italian Renaissance Antiqua

The young font designer João Henrique Lopes has clearly drawn on the Antiqua font of the Italian Renaissance for the Lucca font he designed in 2013. The arched shape of the ‘p’, ‘b’ and ‘d’ in particular emphasize that historic [...]

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Metro Nova – a typographic revival

It was purely by chance that the type designer Toshi Omagari was able to explore the original Humanistic concept behind the classic typeface Metro by William Addison Dwiggins. Doug Wilson, who directed “Linotype: The Film”, asked him to digitalise the [...]

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