The favorite fonts of designer Mårten Thavenius and family packs of the Aptifer Sans and Aptifer Slab family for only 99 Euro* each

The favorite fonts of font designer Mårten Thavenius
After completing a B.A. in Philosophy and Aesthetics, Swedish designer Mårten Thavenius began working as an interface designer with IBM. He later became a freelance web consultant and font developer. His most popular designs are the comprehensive families Aptifer® Sans and Aptifer® Slab.
In a exclusive, Mårten Thavenius presents his favorite fonts and provides tips for their application.
Learn more about these unconventional and exciting fonts here.

Aptifer Sans and Aptifer Slab as Family Packs for only 99 USD/EUR* each
Take advantage of this unbelievable offer: The complete Aptifer Sans font family and Aptifer Slab family (OpenType Pro versions) are available for 99 USD/EUR* each for one week only. With the Family Pack, you save 830 USD/EUR or 89% off the normal price.
Both Aptifer sub-families share an identical basic letter shape. The symbiosis of the robust American sans serif from the turn of the 20th century and humanist influences lend Aptifer a friendly, but distinctive character. In contrast to the restrained Aptifer Sans, Aptifer Slab is distinctive and striking with its slightly wedge-shaped slab serifs. Both sub-families open up a wide range of applications, particularly in corporate design. They can be used for headlines or for text, as well. Aptifer Sans and Aptifer Slab are available in seven weights, each with a matching italic.
Don’t hesitate, get your Aptifer Family Pack now and obtain these perfectly legible fonts with diverse ranges of application at a low price.

* Gross price 117,81 USD/EUR including German sales tax.
The offer does not apply to holders of user accounts, who already receive a fixed price reduction.

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New at Article Search

Effectively immediately on, you can not only search for fonts, but also for relevant content articles. The site displays all content related to the font you’re looking for.
For example, when you enter the font Agmena in the search field on the upper right, the site now displays two different result tabs: Font Search and Article Search.
If you select the Article Search tab, the results show all articles on Agmena available on – e.g. online brochures, informative articles and interviews. In this way, you now have the option to find out more about individual fonts in a targeted manner.
Why not give our optimized search function a try?

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Available for one more day only:
Seven Summer Script Fonts by Laura Worthington for only 49 USD/EUR*

You still have one day to get the Script Fonts Selection by Laura Worthington. The offer includes the seven script fonts Azalea Rough, Boucherie Cursive, Funkydori Regular, Hummingbird Bold, Mandevilla Regular, Spumante Regular and Sheila.
For only 49 USD/EUR*, you get this selection with the exceptionally beautiful script fonts in OpenType Std format, including numerous letter alternatives.
The selection offers endless potential and adds a cheerful, summery touch to your designs. Take advantage of this special offer right now, because it’s only available for one more day!

You’ll find our offer for the Script Fonts Selection from the Laura Worthington font library here.

* Gross price 58,31 USD/EUR including German sales tax.
The offer does not apply to holders of user accounts who already receive a fixed price reduction.

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FontExplorer X Pro 5 now available!

Many new features have been added to the latest version of FontExplorer X Pro, the professional font management solution. They offer better usability, compatibility and integration – for example, you now have access to all the fonts on and you can purchase them directly without leaving FontExplorer X Pro 5. Font download, installation and activation can all be handled automatically for you by FontExplorer X Pro 5.

Detailed information about the new features and purchasing the new version or an upgrade can be found here.

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FF Scala: a superfamily in perfect harmony

Font designer Martin Marjoor was unsatisfied with the fonts available to him as a designer in the mid-1980s. This problem led him to design his own font. The result was Scala. The Dutchman’s font was the first actual typeface published by the newly established FontShop in 1991.
Over the years, the sans serif variant FF Scala Sans was added, and later the ornamental typeface FF Scala Jewel made it a super family.
The Renaissance Antiqua FF Scala, with its particularly striking serifs, recalls the stroke of a fountain pen. Well equipped with small caps, old-style figures, ligatures and a number of hand pictograms, the font forms the solid foundation of the family. The Regular and Bold styles have matching Italic and Condensed variations.
FF Scala Sans is the perfect sans serif companion, and is available in Light and Black, in addition to Regular and Bold.
FF Scala Jewel has four upper-case decorative fonts, which are reminiscent of various pieces of jewelry. Their shapes are legible even in the smaller font sizes and they round out the diverse options of the FF Scala family.
All fonts are perfectly co-ordinated, harmonize very well with each other and therefore open up countless design possibilities for your projects.

Find more information on FF Scala and example applications here.

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New font release: Daytona by Jim Wasco – the entire family is now available in an introductory offer of 99 USD/EUR*

Designer Jim Wasco has already designed countless fonts and has been known as a font designer at Monotype for a long time. He has now published his latest design, Daytona.
The motivation to create the square sans came out of his disappointment with the font quality of sports shows, which left a great deal to be desired. As a result, Wasco took a font he had designed ten years ago for the Xbox as a model and created Daytona, which is now available.
The curved appearance of Daytona is based on the basic form of the superellipse. The result is a dynamic and sporty Grotesque, with a friendly, almost soft character.
Daytona has six styles, from Thin to Fat, each with the matching Italic and Condensed styles in the upright weights. Daytona is also equipped with several ligatures and alternative characters. The unusual shape of the upper-case “ß” is particularly striking.Until July 9, you have the chance to get the complete Daytona family in OpenType Pro format for only 99 USD/EUR*. Try out Daytona – it is not only suited to sporty projects, but is also ideal for on-screen applications, thanks to its legibility.

Learn more about the newly released Daytona here.
You can take advantage of our one-time introductory offer here.

* Gross price 117,81 USD/EUR including German sales tax.
The offer does not apply to holders of user accounts who already receive a fixed price reduction.

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DIN Next Condensed, now with italic styles: save 50% on the 14 styles in the DIN Next Condensed selection

The application potential of the technical and neutral design of the DIN Next has expanded and the font family is now even more flexible. The font design, created by Akira Kobayashi and Sandra Winter, now has matching italics for the existing seven Condensed styles (Ultra Light, Light, Regular, Medium, Bold, Heavy and Black). For one week, you have the opportunity to get this selection on with all the 14 styles of DIN Next Condensed, including the italics, at a rebate of 50%. You pay only 249.50 USD/EUR instead of 499 USD/EUR.
Don’t miss this offer – find our DIN Next Condensed Selection here.

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Hermann Zapf Remembered

World-renowned German font designer Hermann Zapf died on June 4, 2015 at the age of 96. The creator of many internationally recognized and popular fonts, such as Palatino, Optima and Zapfino, had a close personal and business relationship with D. Stempel AG (later Linotype AG, now Monotype GmbH) that spanned decades.
Read our obituary, written exclusively for by journalist Andreas Weber: “Mastery through Precision and Passion”.

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An interview with Jovica Veljović in which he talks about his latest font, ITC New Veljovic

The eminent Serbian designer Jovica Veljović has revised the typeface ITC Veljovic that he created in 1984 and has just released its successor, ITC New Veljovic.

On you will find the text of an exclusive interview with the font designer in which he talks about the differences between phototypesetting and current digital technologies and also outlines the background to the origin and development of the updated version of the font.

Veljović began to work as a designer in the era of phototypesetting and this meant he would often encounter time- and money-consuming complications. Modern digital technologies have eliminated many of these problems but, as Veljović points out: “It was always difficult to design a good typeface and this will continue to be the case in future”.

He thus decided to rework ITC Veljovic, created some 30 years previously, with the aid of the techniques now available as he had recognized that the font had considerable potential for upgrading. He has improved kerning, introduced a Regular weight and added new Condensed styles.

However, what is really special about ITC New Veljovic is the fact that users can now choose from a range of variant glyphs with longer or shorter ascenders and descenders and that it is now possible to automatically convert Cyrillic texts into texts using Latin characters and vice versa.

“I have designed ITC New Veljovic with its weights Normal, Condensed, Display and Cyrillic so that it can be used for many languages and in a wide variety of contexts.” – in both print and digital environments.

Click here to now read the full interview with Jovica Veljović.
Find here more information about ITC New Veljovic.

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The new Demos Next: a friendly and comfortable all-rounder with expanded features

Gerard Unger designed Demos in 1975, one of the first digital typefaces for the Hell Digiset digital typesetting machine. Although the font only had three styles, it became very well-known and popular. Originally, Demos was created as a newspaper font. Its characteristics were adapted and perfected for digital film output. The font is meant to be compact and have extremely good legibility.
Nevertheless, there were more and more customer requests for a version with more features. The result is the successor, Demos Next, designed in collaboration with Linda Hintz.
The letter forms of Demos remained largely unaffected. There were only small, but fine changes to details, noticeable in the x-height, the curves in the weights, for example.
However, there were major changes in the font features. Demos Next has six weights, from light to black, each with fitting italics. In addition, several number sets have been added, as well as an expanded character set, which offers even more flexibility for your projects. The OpenType Pro format makes most Central and Eastern European languages available, as well as the Latin transcription of Chinese characters, Pinyin.
All in all, Demos Next does not so much as change the friendly font character of its predecessor, but rather highlight and emphasize it.
As a re-edition of its forerunner, Demos Next offers a great deal of flexibility, whether in continuous text or headlines, in print or on Web pages or other electronic media.

Find out more about the new Demos Next and extensive image material here.

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